The self-taught, stylistically distinct jazz pianist who sued his record label and became a trailblazer for artists’ rights and wrote “Misty” on an airplane in 1954… Erroll Garner of course! #jazzmonth #jazzlegends #jazzgiant #legend #musiclegend #errollgarner #icon #pianist #piano #jazzpiano #selftaught #qwesttv #selftaught #musicvideo #videoclip | Qwest TV

In December of 1969, Erroll Garner recorded "For Once In My Life" for his Feeling Is Believing record. Here is Garner performing the song two years later on the Flip Wilson show with his trio. | Erroll Garner

Erroll Garner loved to create extended introductions to songs that kept both his band and his audience guessing at what song was to follow. His friend and producer George Avakian said he would keep a score card for himself whenever he watched Garner perform. Backstage after the show he would report to Garner how many he guessed right and wrong. Do you hear any hint of “Honeysuckle Rose” in this 1964 Jazz 625 BBC performance? | Erroll Garner

Erroll Garner performing “Penthouse Serenade” with Eddie Calhoun on bass and Kelly Martin on drums live on Jazz 625. From his earliest years, Erroll Garner's relationship with music was defined by an intuitive genius. By four, he was recreating melodies on the piano by ear, soon revealing a photographic memory for sound. He could absorb a lengthy and intricate piece after a single hearing, later performing it with flawless recall. This innate ability meant he never learned to read music, buildin

Dizzy Gillespie said: "Earl Hines changed the style of the piano. You can find the roots of Bud Powell, Herbie Hancock, all the guys who came after that." Erroll Garner said, "When you talk about greatness, you talk about Art Tatum and Earl Hines" He differed from the stride pianists of the 1920s by breaking up the stride rhythms with unusual accents from his left hand. While his right hand often played octaves so as to ring clearly over ensembles, Hines had the trickiest left hand in the busine