Click here for updated information what your Guild is doing to promote production and recent progress made on the "Keep ...

The DGA's first-ever membership meeting and dinner in Honolulu, Hawaii provided an opportunity for these members to network ...

As part of the DGA’s member education, here we highlight the importance for episodic Directors to track their days worked and then submit invoices to production when they complete their assignment.

Contact Sabina Sanchez Reports Compliance Department Administrator Below the Line Deal Memos (310) 289-5375 SSanchez@dga.org Angela Webb Reports Compliance Department Assistant Administrator ...

Winter 2010 The Mystery of Werner Herzog For 40 years, Werner Herzog has been a cinematic visionary traveling to the four corners of the globe looking for “ecstatic truth.” In the DGA Interview, he ...

Fall 2014 From Indie to Mainstream So your independent movie was a hit. What comes next? For some, it’s a leap to studio filmmaking. Here’s how four directors moved up, and what they found once they ...

New Members, Primary Category Changes, Deceased MembersEASTERN REGION ADDITIONS Erin M. Fiorella, 2AD Flavio A. Jawor, AD Mark Leja, 2AD Savannah J. Moore, SM Molly J. Potter, AD Justin Taylor, 2AD ...

Few filmmakers are as well qualified to analyze the contrast between directing TV and directing feature films as Alan Taylor. Many directors, of course, jump between the two formats but Taylor, with ...

Summer 2011 To Serve and Protect Through changing times, for more than 50 years Gil Cates has been a steadying force and voice of reason in the Directors Guild. As a board member, head of negotiations ...

Summer 2015 As TV changes, directors talk navigating pilots With the landscape of pilots evolving—from traditional to backdoor to the Internet—directors are dealing with new business and creative ...

Spring 2017 Bonding with Sam Mendes A celebrated filmmaker right out of the gate, Sam Mendes juggles movies and theater with the virtuosity of a wunderkind, and the experience of a seasoned pro BY ...

On the first day of shooting the chase, we scheduled the first stunt, which was to be Doyle's car spinning off a car that had shot out of an intersection. I had four cameras operating. Two were in a ...