Local writer Scott Meslow interviews the Minnesota-based documentarian on the ground amid Operation Metro Surge.

Damian McCarthy discusses his third feature film, Hokum, which stars Adam Scott as an American novelist who finds himself in ...

But a trend bubbling up on the edge of cinema offers a rare counterpoint: films that forsake the fast cuts of Jason Bourne or ...

Maddie’s Secret, Isaiah’s Phone and Macho Dancer are Natalia Keogan’s standouts from the third edition of the “perfectly ...

“It was important to us not to be a shit post,” says Ricky Camilleri, co-writer and co-producer of Our Hero, Balthazar, thanking me for not describing it as “edge-lordy.” On paper, the film, directed ...

After Dreaming, Avalon Fast, Blue Heron, Christine Haroutounian, Don Hertzfeldt, Drinking and Driving, Frederic Da, Going Sane, In the Glow of Darkness, Isaiah's Phone, Jillian Frank, Joey Izzo, LAFM ...

Part eulogy for a bygone commercial space, part rigorous investigation of its origins and subsequent representation in popular culture, Alex Ross Perry’s Videoheaven leaves virtually no stone unturned ...

David Lowery and Chloé Zhao have been friends and collaborators since January 2012, when they met as fellows in the annual Sundance Screenwriters Lab. In the years since, both directors have found ...

Filmmaker is happy to exclusively premiere “Afterimage,” a short film about the Ridgewood Theater created through UnionDocs.

Jordan Hoffman posits that if you look closely and squint, today’s glut of “content” looks a lot like early cinema.

When the UPS Teamsters—the largest bargaining unit in the country at 340,000 strong—were negotiating their 2023 contract, it became increasingly clear that management wasn’t looking to ameliorate ...

The following interview with Jim Jarmusch was originally published as our Spring, 2004 cover story, and it is appearing here online for the first time. — Editor “Why do people go to the cinema?” ...