Presence, Steven Soderbergh’s latest, is a tight 85-minute family story set in a single absolutely gorgeous foursquare ...
From Presence to Ocean’s 11, Soderbergh has directed every kind of movie but none ‘as good as The Third Man’, he says. So he ...
Soderbergh talks about writing a book about how to direct movies via Spielberg's 'Jaws' and remastering his entire film ...
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
The actor admits that Soderbergh's unusual way of capturing the film - told from a ghost's point of view - was a challenge to ...
Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...
"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors." ...
If you’re suffering yourself, you notice the suffering of others more acutely.” For director Steven Soderbergh, “Presence” ...
Steven Soderbergh is a tough director to pin down. Now, the Oscar winner is taking on a ghost story called Presence.
Soderbergh didn’t capitalize on his success. Through most of the ’90s, he directed movies more suited to the arthouse than ...
In Presence, cinema’s most shape-shifting director unveils his latest trick: a ghost story told from the spectre’s ...
The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.