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Here today: a new festival defiantly reclaims a lost history, bringing contemporary and classic Cambodian cinema to a local ...
Camera comes in low over an immense Western lake, its destination apparently a small island at the center that seems to consist of nothing but treetops. Draw nearer, then sweep over and pass the ...
Two temptations present themselves to any modern reappraisal of Erich von Stroheim’s work; one of them is fatal, the other all but impossible to act upon. The fatal temptation would be to concentrate ...
The results are in for our 2021 poll of Film Comment’s contributors and colleagues! Our Top 20 lists in both the Released and Undistributed categories feature original appreciations from critics, as ...
Spike Lee will be honored by Film at Lincoln Center at the 46th Chaplin Award Gala. [Radio Raheem’s theme in Spike Lee’s Do the Right Thing] It’s the hottest day of summer in Bed-Stuy, Brooklyn, where ...
Yes. I think, if I may say so, it’s like a sentence by Picasso I was once struck by: “I like to paint until the painting refuses me.” I would say that cinema won’t refuse me for a couple more films, a ...
The Berlin Wall fell in 1989. Historians may eventually record that Hollywood surrendered in 1996 — or rather, on February 11, 1997, hereafter to be known as Independents’ Day. In the new, ...
The results are in for our 2022 poll of Film Comment’s contributors! Our Top 20 lists in both the Released and Undistributed categories feature original appreciations from our critics, as well as ...
Only a filmmaker who possesses the hubris to imagine that art and moral adventure matter could have composed The Portrait of a Lady in the densely telling hues and uncompromising forms Jane Campion ...
Except one, perhaps. In the woods near his deprived northern mining-town home, Billy (David Bradley) finds a kestrel chick that he names “Kes” and lovingly rears and trains. The bird is all the boy’s ...
Since inaugurating a radical form of collaborative nonfiction with In Vanda’s Room (2000) and Colossal Youth (2006), Costa has been developing this approach into a new kind of dramatic portraiture, ...
It’s all over. Well, not quite, but the 2010s did come to an end on a note of pessimism about the world, and one of resignation about the film industry’s consolidation and glut of choice. At the same ...