This is an Adès at ease with himself, at ease with his material, at ease with his means, and prepared to delight as well as dazzle. The opening “Inferno” section is a series of discrete dances, ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Our chief classical music critic writes in praise of going to a shelf, pulling out a recording and sitting down to listen. By ...

Coupling this pair of Magnificat settings on a single CD makes so much sense. JS Bach’s 1723 Magnificat is wonderfully served here, Hans-Christoph Rademann’s Gaechinger Cantorey turning in a ...

Amidst all the recent talk of a “vinyl resurgence” and the renewed admiration for physical media in music, one niche seems to miss its fair share of the attention. Countless reissues, think pieces and ...

Discover the best things to eat, drink, and do in Houston with our expertly curated city guides. Explore the Houston City Guide In the fall of 2008, a month after Hurricane Ike made landfall in Texas, ...